- MAGIX AUDIO CLEANING LAB 17 DELUXE ESPAÑOL FULL CODE
- MAGIX AUDIO CLEANING LAB 17 DELUXE ESPAÑOL FULL TV
MAGIX AUDIO CLEANING LAB 17 DELUXE ESPAÑOL FULL TV
Led Zepplelin - Vintage TV (DVDfull pro-shot).Rod Stewart - Melbourne, AU (SBD/FLAC).Jeff Lynne's ELO - London, UK (DVDful.Lionel Richie - Viña del Mar, BR (DVD.Iggy Pop - Belfort, FR (DVDfull pro-s.Jimmy Page & Robert Plant - Munich, D.Bruce Springsteen - Verona, IT (FM/FLAC).Nine Inch Nails - Dallas, TX (DVDfull.
Stage was far away but the sound balance was better than Tool (maybe depends on the taping position). Excellent.Īfter the beautiful Tool performance, I walked back to the PA section and saw Black Sabbath at about the middle of the large venue. The festival setlist is rather short but condensed greatest-hits with new one. The first time ever, Ozzy Black Sabbath in Japan. Sabbath Bloody Sabbath intro~ParanoidĪpplied EQ for reduce very low range sound and lift up high range. wav> Track Split (CDWave)> FLAC (level 8)ġ4. Sp-cmc-2> sp-spsb-1(69KHz)> Olympus to PA board, about 30m from stage. Since there weren't any other problems and the diginoise didn't interfere with anything, I left it alone. One wart: After EQ'ing, breaking tracks, burning it, and deleting the originals, I found one spot of brief diginoise - during the break between "Start Me Up" and "Live With Me" (tracks 2 and 3 on disc 1). The crowd noise is minimal (except when Bono came onstage unexpectedly). A friend recorded this with CSB mikes about 25 feet back on the right side, and the sound was perfect. There are at least 2 other common sources of this show, but I like this one best. If you are a Stones fan and don't have this recording, this is a must-have. This show has a great setlist, first-ever performances of songs, special guests, and an inspired performance. My favorites of the 2002-03 club shows were Stockholm and Chicago and the nod may go to the latter. The latter were the most fun of the tour, because the Stones essentially picked a setlist to entertain themselves - these shows often featured guests and unique performances of rarely-played songs. The largest cities in each country would typically get performances in a stadium (where they would play their greatest-hits set), an arena (which would feature primarily "hits" with a handful of deep tracks), and a club or small theater. (4) I Just Want To Make Love To You (4:54) **įor those who don't recall, on the Stones' "40 Licks" tour in 2002-03 they took the unique approach of playing multiple venues of varying sizes in selected cities. (8) Everybody Needs Somebody To Love (5:38) Transfer: Sony DAT 60ES => CDR => EAC => Audigy Audio Cleaning Lab => CDR =>
MAGIX AUDIO CLEANING LAB 17 DELUXE ESPAÑOL FULL CODE
Time code source : Group of pictures header LVII Festival Internacional de la Canción de Viña del Mar (February 26th, 2016)Īnfiteatro Quinta Vergara - Viña del Mar, Chile The audience songs were put in their proper track locations to keep the setlist just as the songs were played. This is an Fm recording with 3 songs that were not broadcast included from an audience source. Overall, it is not to bad and is reasonably listenable throughout but only worthy of a C+ at best in my opinion. If no better source becomes available I might try to work on this one to improve it if possible. Even though this is mostly Fm, there are some sound issues with this. Audio quality varies between SB and audience as well as during SB songs there is variation.
Start abruptly due to the commercials being cut out. Soundboard & Audience > Fm & Unknown Audience Recorder > Unknown Recording Process > Magix Audio Cleaning Lab > WAV > FLACĪudio Quality: Fm = C+, Audience = C- > There are audio dropouts and inconsistent sound quality.
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